This past summer I had the opportunity to visit with my bio-mom and siblings up at Port Alberni. For those that don’t know, I was adopted at 2 weeks old and through a combination of DNA and good old fashioned detective work I was able to find both my birth mother (still living) and learn the identity of my biological father, Louis Joseph Lee 1926-2004. For those interested in all that feel free to check out my Genealogy blog at: Williams – Thomas – Doran : A Genealogy Page.
But I digress, (as I often do). While there, I was introduced to Lorne Greene (born December 24, 1938 in Port Alberni), a family friend and a man with a very interesting musical pedigree. Lorne had the good fortune to find himself in London, England just as the English Rock n’ Roll scene was taking off in the early 1960s.
He is, by his own admission, first and foremost — a country music lover-player. Above, closer to his roots, Lorne toured with fellow Canadian and country music star Donn Reynolds in 1958. However, his chosen instrument of guitar made him a highly sought after commodity in London’s burgeoning 1960s pop and rock music scene. He soon found himself in the company of a number of soon to be famous rock legends.
Lorne played with a number of folks that were well known in the UK but much less so in North America. I found a very brief mention of Lorne on a page dedicated to early English Rockabilly artist, Terry Wayne:
In 1959, Terry appeared twice on the popular BBC Light Program radio show, “Saturday Club” with his band, the Dukes, featuring a whole host of rock and roll favourites including “She’s Mine”, “Mighty Mighty Man”, “Boppin’ the Blues” and “Just Because”. These live recordings can be heard on the aforementioned Rollercoaster CD “The Terrific Terry Wayne” (RCCD 3030) available from Rollercoaster Records, Rock House, St. Mary’s, Chalford, Gloucestershire, England, GL6 8PU or visit the website http://www.RollercoasterRecords.com. Terry also recorded some private sessions for Bernie Andrews, the show’s engineer. Bernie was taken with Terry’s guitarist Lorne Green[e] when he realised they had a mutual interest in Chet Atkins. [emphasis mine] These recordings can also be heard on the Rollercoaster CD. The bass player with the Dukes was Lennie Harrison whom Terry met on the “Jerry Lee” tour. Lennie was playing with Chas McDevitt at the time but joined Terry later in 1959. At last, Terry had an authentic sound with Lennie’s upright bass and Lorne’s appreciation of Chet Atkins shining through on guitar.
Reference: The “Terrific” Terry Wayne (Terry was best man at Lorne and Ina’s wedding)
Chet Atkins remains Lorne’s favourite guitarist and like so many of his contemporaries, Lorne made it a mission to obtain a Gretsch guitar. Lorne recalls that during a recording session at the BBC studios in 1962 one of his band mates told him that some guys had entered the studio and had cracked open his precious Gretsch guitar case. Alarmed, Lorne arrived to see his Gretsch in the hands of four young men who were admiring it. As you might have guessed, these “four young men”turned out to be the Beatles! Like Lorne, George Harrison was also enamoured of Chet Atkins and so the lure of Lorne’s Gretsch must have proved too much for the young Beatle.
Lorne also found work with the legendary, Billy Fury. He appears on one of the early promotional posters for the 1962 film, “Play it Cool” with black Gretsch in hand. The period from 1961 to 1962 was a particularly productive time for Lorne as he also played and recorded with the Outlaws, and Carter-Lewis and the Southerners.
In a recent phone conversation I had with Lorne he states that he played first with Carter Lewis and the Southerners prior to his stint with the Outlaws. He also spent time with an outfit called the “Night-Riders” featuring fellow guitarist, Ken Allen. Other performers Lorne lent his guitar skills to included notable horn player, Eddie Calvert as well as Johnny Duncan, and Terry Kennedy.
One quirky fact regarding Lorne’s career is that following his departure from the Outlaws he was replaced by Ritchie Blackmore and after leaving Carter-Lewis and the Southerners he was replaced by Jimmy Page! Both artists are hailed as being amongst the very best of their generation.
At some point during 1963, Lorne had grown homesick for his native Canada. He and his newlywed Scottish bride, Ina, made their way to Canada where the couple raised their family.
Lorne is a quiet and humble guy. His obvious talent (he still plays guitar) would have carried him far had he remained in the UK. However, he has no regrets. His profile might have been raised somewhat had not fellow Canadian and television-recording star Lorne Greene eclipsed him so completely by virtue of their shared name.
And so I created this brief biographical entry on this Lorne Greene- a Canadian guitarist present at and an active participant in the birth of British Rock n Roll. I feel strongly that Lorne’s contributions should not be forgotten.
Above, Lorne indulged my son (also a Chet Atkins fan) with a turn on Lorne’s White Falcon Gretsch. Lorne’s frequent musical partner, Wayne Price, has a great voice and is a fair guitarist in his own right.
I’d also like to express my sincere appreciation to Lorne and Ina for sharing some of these amazing photos from their private collection with me. They are published here with their express permission.